Distinguished by its speed, the RF 50mm f/1.2 L USM from Canon is a desirable normal-length prime due to its versatile focal length and bright f/1.2 maximum aperture. This fast design excels in difficult lighting conditions and also benefits working with shallow depth of field and selective focus techniques. The optical layout incorporates one UD element and one aspherical element, which help to reduce both chromatic and spherical aberrations in order to produce greater clarity and sharpness. A rounded 10-blade diaphragm also benefits bokeh quality to suit isolating subjects with depth of field. Complementing the imaging capabilities is an apt ring-type Ultrasonic Motor, which delivers fast, near-silent autofocus and full-time manual focus override. Additionally, a unique Control Ring is integrated into the lens design for intuitive control over exposure settings from the lens itself.
The EF100-400mm f/4.5-5.6L IS II USM is compact size, wide zoom range for versatile scenes, and high-speed precision lens that is well-suited for many genres of photography including aviation, sports, and nature.
With the use of one fluorite lens in conjunction with a super UD (Ultra Low Dispersion) lens, chromatic aberration is reduced and this results in outstanding image quality across its entire range of focal distances. The EF100-400mm f/4.5-5.6L IS II USM also features a significantly enhanced IS (Image Stabilization) unit to deliver sharp and clear images in a variety of situations. The camera’s new IS unit provides an IS performance improvement from 1.5 steps to 4 steps and three different modes of optimal stabilization.
A unique medium telephoto designed for close-up shooting, the EF 180mm f/3.5L Macro USM from Canon is an L-series prime well-suited for high detail shooting with a comfortable working distance. For macro applications, this lens affords a life-size, 1:1 maximum magnification along with a 1.6′ minimum focusing distance, however its long focal length is also ideal for portraiture and other closely cropped mid-length shooting needs. In regard to its optical design, three ultra-low dispersion elements are used to control color fringing and chromatic aberrations and a Super Spectra coating has been applied to reduce flare and ghosting.
The EF 400mm f/2.8L IS III USM is the world’s lightest¹ 400mm f/2.8 lens, designed to give professional sports and wildlife photographers the freedom they need on location. It’s light enough to be used handheld, and the fast f/2.8 maximum aperture with 5-stop Image Stabilizer help create brighter, sharper images even in low-light. A responsive USM AF motor keeps fast-moving objects sharp, and customisable fingertip controls allow instant AF start, AF lock or focus recall. Part of the Canon professional L-series flagship range, its designed for robust handling and resistant to dust and moisture.
Cherished for sports and wildlife applications, the EF 600mm f/4L IS III USM is a Canon L-series super telephoto lens distinguished by its advanced, lightweight design, quick and intuitive handling, and high speed performance. Using fluorite, Super UD, and aspherical elements, both chromatic and spherical aberrations are kept to minimum in order to realize sharp, clear image quality with accurate rendering and color fidelity. Both Super Spectra and Air Sphere Coatings also contribute to color accuracy and helps to control flare and ghosting when working in backlit and harsh lighting conditions.
This native super telephoto zoom lens for the RF mount offers the professional-class image quality expected on an L-series lens, with a longer reach of up to 500mm while maintaining almost the same overall body length. Image stabilisation of up to 6 shutter stops* further improves versatility, so that you can take your photographic vision even further.
Engineered specifically for full-frame EOS R-series cameras, the RF 100mm f/2.8 L Macro IS USM Lens from Canon combines a medium-telephoto field of view with a sleek design and close-focusing performance. Designed for close-up imagery, this autofocus lens is an ideal choice for portraits and macro subjects. Featuring a fixed 100mm focal length, a bright f/2.8 maximum aperture, fast, highly-precise autofocus, and a spherical aberration control ring, this lens elevates the look of portraits and macro shots and gives you the ability to create dreamlike and romantic images with a soft focus look. Its close focus design enables working with subject matter as close as 10.2″ away, and a Super Spectra coating minimizes ghosting and flare when working in strong lighting conditions. The lens also features optical image stabilization, along with Hybrid IS, to suppress up to five stops of camera shake for cleaner, steadier shooting, and imagemakers can expect to see stunning results that enhance their creative and artistic vision.
One of the zoom trinity lens favoured by photographers across genres, RF15-35mm f/2.8L IS USM has made a leap forward in its design–made possible with RF mount. Going 1mm wider comparing to EF16-35mm f/2.8L USM III, but increasing angle-of-view by 4°. Designed to provide up to 5 shutter speed stops of Image Stabilisation that ensures sharp images in dimly lit situations. Edge to edge clarity detail across the focal length, whether for the majestic landscape or that casual snapshot on your travel. Unique to RF lenses, the additional control ring on the barrel of EF16-35mm f/2.8L USM III that could be customised to control exposure settings; providing a more intuitive control especially while shooting.
Distinguishing itself with an expansive and unique zoom range, the RF 200-800mm f/6.3-9 IS USM Lens from Canon provides superb optical performance while maintaining mobility. Its compact design is complemented by five and half stops of image stabilization to enable strong handheld performance. This lens provides a zoom range that excels in situations where you can’t get closer to your subject without compromising your shot, such as wildlife, nature, and outdoors sports. Swift and nearly silent autofocusing is achieved through Canon’s Nano USM drive system. A focus/control ring and two lens function buttons that are located on the barrel allow for greater control over settings adjustments. Also incorporated are three ultra-low dispersion elements to reduce chromatic and spherical aberrations as well as a Super Spectra coating to minimize ghosting and flare caused by lens surface reflection.
The RF24-105mm f/2.8 L IS USM Z is the first RF lens to feature iris control, giving filmmakers precise control over their creative expression. With a small f/stop of f/2.8 and 11-blade circular aperture, this lens allows you to achieve that coveted cinematic out-of-focus effect. But that’s not all – the lens also boasts up to 8 stops of image stabilisation, making handheld shots as steady as if they were taken on a tripod.
The dual Nano USM delivers fast, accurate and quiet AF that is perfect for video recording.
Being smaller and lighter while maintaining a constant maximum aperture of f/4 across its focal length makes this a very nifty lens for those who requires wide-angle to mid-telephoto coverage. Being the first full-frame L lens to be powered by the Nano USM, RF24-105mm f/4L IS USM provides responsive smooth focusing—suitable for video recording. With its image stabilisation of up to 5-stops, you can achieve sharp images shooting handheld.
RF24-105mm f/4L IS USM features an additional control ring on the barrel that could be customised to control exposure settings; shutter speed, aperture, ISO and exposure compensation, effectively providing better control especially while shooting through the Electronic View Finder. The control ring has a tactile, easily distinguished surface and features a clicking mechanism that provides tangible feedback during adjustment.
Designed not only to be light and compact, the RF24-105mm f/4-7.1 IS STM is also a very versatile lens that even have macro function and would not weigh you down as you shoot. Priced reasonably for those moving into full-frame mirrorless to expand their creative possibilities.
Poised to be the new workhorse zoom, the Canon RF 24-70mm f/2.8 L IS USM is a versatile wide-angle to portrait-length lens characterized by its bright, advanced, and intuitive design. The constant f/2.8 maximum aperture suits working in difficult lighting conditions and also enables greater control over depth of field. The optical design incorporates a series of aspherical and Ultra-Low Dispersion elements, which greatly reduce a variety of aberrations throughout the zoom range in order to produce sharp and clear imagery. An Air Sphere Coating has also been applied to suppress flare and ghosting when working in strong lighting conditions.
Designed with high-end cinema video in mind, the Canon RF 35mm f/1.4L VCM Lens is a wide-angle L-series hybrid prime featuring an ultra-fast f/1.4 maximum aperture to suit working in difficult lighting conditions. Its 11-blade iris creates soft, cinematic bokeh, and the lens features minimal focus breathing for easy and smooth focus pulls. The focus ring can be used full-time with override, and you can also utilize the iris ring manually during changing conditions on your video shoots.
Compact, lightweight, and close-focusing, the RF 35mm f/1.8 Macro IS STM from Canon is a unique wide-angle prime mixing the versatility of a general wide lens with the specialty of a 1:2 macro optic. An advanced optical design is benefitted by a Super Spectra coating, which helps to control flare and ghosting for greater contrast and color accuracy when working in bright or backlit conditions. Capable of focusing down to 6.7″ at half life-size, this lens is ideal for photographing everything from close-ups of plants to street scenes and landscapes. The bright f/1.8 maximum aperture offers increased control over depth of field and also suits working in a variety of lighting conditions. Complementing this is a five stop-effective image stabilization, which minimizes the appearance of camera shake for sharper handheld shooting. Also, an STM motor affords impressively quiet and smooth autofocus performance and full-time manual focus override. Additionally, a configurable Control Ring lets you adjust exposure settings, including ISO, aperture, and exposure compensation, from the lens itself.
Weighing only at approximately 2 890g, the RF400mm f/2.8L IS USM delivers superior image quality and performs extremely well even in low light with its up to 5.5 shutter stops image stabilisation. Designed for professionals in mind, this lens will surpass your expectations no matter the condition.
Designed for professionals who require top-notch capabilities, the RF600mm f/4L IS USM is ideal for photographing subjects from a distance like wild animals, sports and motorsports. The lens can provide up to 5.5 shutter stops of image stabilisation to ensure sharp images and weighs only approximately 3 090g.
One of the zoom trinity lens favoured by photographers across genres, RF70-200mm f/2.8L IS USM made a leap forward in its design–made possible with RF mount. Designed 27% shorter and 28% lighter comparing to EF70-200mm f/2.8L IS III USM, providing mobility and to reduce the burden for prolonged use. With it’s Image Stabilization of 5 shutter speed stops, RF70-200mm f/2.8L IS USM ensures sharp images in dimly lit situations. Stellar clarity across the focal length to shoot action packed sports or delivering beautiful bokeh suitable for portraits with its large aperture.
Unique to RF lenses, the additional control ring on the barrel of RF70-200mm f/2.8L IS USM that could be customised to control exposure settings; providing a more intuitive control especially while shooting.
The RF70-200mm f/2.8L IS USM Z stands out as a telephoto zoom with iris control for precise creative expression. Featuring a wide f/2.8 aperture and an 11-blade circular design, it produces beautifully cinematic bokeh that elevates your filmmaking. In addition, it offers up to 7.5 stops of image stabilisation when paired with compatible cameras, delivering stability that rivals tripod-mounted shots for sharp and smooth handheld filming.
The dual Nano USM delivers quick, precise, and near-silent AF, ideal for video recording.
Relatively sleek despite its super-telephoto reach, the Canon RF 800mm f/5.6 L IS USM is an impressive prime meshing top-of-the-line performance with an updated compact and lightweight design. Ideal for sports, wildlife, and journalism applications, this long lens offers a distinctly tight field of view for isolating distant subjects, along with responsive AF and image stabilization, reliable weather-sealing, and intuitive handling for dependable use in fast-paced situations.
Pairing a cherished short-telephoto focal length with an exceptionally bright maximum aperture, the Canon RF 85mm f/1.2 L USM is also characterized by its advanced optical design to produce well-corrected imagery. The fast f/1.2 design excels in difficult lighting conditions and also benefits working with shallow depth of field and selective focus techniques. The optical layout incorporates a Blue Spectrum Refractive Optics element; a specially developed element that helps to nearly eliminate chromatic aberrations and color fringing for notable clarity and color accuracy.
A simple, bright, and lightweight normal-length prime, the FE 50mm f/1.8 from Sony is a versatile lens designed for full-frame E-mount mirrorless cameras. Blending a sleek stature with a versatile focal length, this 50mm prime excels in a variety of shooting situations and the f/1.8 maximum aperture helps straddle an ideal balance between brightness and a compact form factor.
