Capture every detail with precision. GK Vale Rental offers a wide range of high-quality camera lenses for all your photography and videography needs — from wide-angle to telephoto, prime to zoom. Choose the perfect lens for your project without the high ownership cost.
Wherever your passion lies, this outstanding super telephoto zoom lens can bring it into focus. Capture and share stunning views of birds, wildlife, motorsports, athletes, performers, landmarks and other faraway subjects. A fast f/5.6 constant aperture gives your shots beautifully out-of-focus backgrounds across the entire zoom range. Turn fast-moving action into dazzling photo sequences—the electromagnetic diaphragm operates in sync for the fastest subjects and shutter speeds while Vibration Reduction image stabilization keeps your shots sharp and steady. And in the rare cases when additional reach is needed, you can increase the AF-S NIKKOR 200-500mm f/5.6E ED VR’s zoom power with an optional Nikon 1.4x, 1.7x or 2x teleconverter*.
When photographing birds, wildlife, sports or action, mobility can make the difference between nailing the shot or missing it altogether. The AF-S NIKKOR 500mm f/5.6E PF ED VR is a fraction of the size of most full-frame 500mm lenses, freeing you to be as nimble as your subjects.
Distinguished by its speed, the RF 50mm f/1.2 L USM from Canon is a desirable normal-length prime due to its versatile focal length and bright f/1.2 maximum aperture. This fast design excels in difficult lighting conditions and also benefits working with shallow depth of field and selective focus techniques. The optical layout incorporates one UD element and one aspherical element, which help to reduce both chromatic and spherical aberrations in order to produce greater clarity and sharpness. A rounded 10-blade diaphragm also benefits bokeh quality to suit isolating subjects with depth of field. Complementing the imaging capabilities is an apt ring-type Ultrasonic Motor, which delivers fast, near-silent autofocus and full-time manual focus override. Additionally, a unique Control Ring is integrated into the lens design for intuitive control over exposure settings from the lens itself.
The EF100-400mm f/4.5-5.6L IS II USM is compact size, wide zoom range for versatile scenes, and high-speed precision lens that is well-suited for many genres of photography including aviation, sports, and nature.
With the use of one fluorite lens in conjunction with a super UD (Ultra Low Dispersion) lens, chromatic aberration is reduced and this results in outstanding image quality across its entire range of focal distances. The EF100-400mm f/4.5-5.6L IS II USM also features a significantly enhanced IS (Image Stabilization) unit to deliver sharp and clear images in a variety of situations. The camera’s new IS unit provides an IS performance improvement from 1.5 steps to 4 steps and three different modes of optimal stabilization.
A unique medium telephoto designed for close-up shooting, the EF 180mm f/3.5L Macro USM from Canon is an L-series prime well-suited for high detail shooting with a comfortable working distance. For macro applications, this lens affords a life-size, 1:1 maximum magnification along with a 1.6′ minimum focusing distance, however its long focal length is also ideal for portraiture and other closely cropped mid-length shooting needs. In regard to its optical design, three ultra-low dispersion elements are used to control color fringing and chromatic aberrations and a Super Spectra coating has been applied to reduce flare and ghosting.
The EF 400mm f/2.8L IS III USM is the world’s lightest¹ 400mm f/2.8 lens, designed to give professional sports and wildlife photographers the freedom they need on location. It’s light enough to be used handheld, and the fast f/2.8 maximum aperture with 5-stop Image Stabilizer help create brighter, sharper images even in low-light. A responsive USM AF motor keeps fast-moving objects sharp, and customisable fingertip controls allow instant AF start, AF lock or focus recall. Part of the Canon professional L-series flagship range, its designed for robust handling and resistant to dust and moisture.
Cherished for sports and wildlife applications, the EF 600mm f/4L IS III USM is a Canon L-series super telephoto lens distinguished by its advanced, lightweight design, quick and intuitive handling, and high speed performance. Using fluorite, Super UD, and aspherical elements, both chromatic and spherical aberrations are kept to minimum in order to realize sharp, clear image quality with accurate rendering and color fidelity. Both Super Spectra and Air Sphere Coatings also contribute to color accuracy and helps to control flare and ghosting when working in backlit and harsh lighting conditions.
This native super telephoto zoom lens for the RF mount offers the professional-class image quality expected on an L-series lens, with a longer reach of up to 500mm while maintaining almost the same overall body length. Image stabilisation of up to 6 shutter stops* further improves versatility, so that you can take your photographic vision even further.
Engineered specifically for full-frame EOS R-series cameras, the RF 100mm f/2.8 L Macro IS USM Lens from Canon combines a medium-telephoto field of view with a sleek design and close-focusing performance. Designed for close-up imagery, this autofocus lens is an ideal choice for portraits and macro subjects. Featuring a fixed 100mm focal length, a bright f/2.8 maximum aperture, fast, highly-precise autofocus, and a spherical aberration control ring, this lens elevates the look of portraits and macro shots and gives you the ability to create dreamlike and romantic images with a soft focus look. Its close focus design enables working with subject matter as close as 10.2″ away, and a Super Spectra coating minimizes ghosting and flare when working in strong lighting conditions. The lens also features optical image stabilization, along with Hybrid IS, to suppress up to five stops of camera shake for cleaner, steadier shooting, and imagemakers can expect to see stunning results that enhance their creative and artistic vision.
One of the zoom trinity lens favoured by photographers across genres, RF15-35mm f/2.8L IS USM has made a leap forward in its design–made possible with RF mount. Going 1mm wider comparing to EF16-35mm f/2.8L USM III, but increasing angle-of-view by 4°. Designed to provide up to 5 shutter speed stops of Image Stabilisation that ensures sharp images in dimly lit situations. Edge to edge clarity detail across the focal length, whether for the majestic landscape or that casual snapshot on your travel. Unique to RF lenses, the additional control ring on the barrel of EF16-35mm f/2.8L USM III that could be customised to control exposure settings; providing a more intuitive control especially while shooting.
Distinguishing itself with an expansive and unique zoom range, the RF 200-800mm f/6.3-9 IS USM Lens from Canon provides superb optical performance while maintaining mobility. Its compact design is complemented by five and half stops of image stabilization to enable strong handheld performance. This lens provides a zoom range that excels in situations where you can’t get closer to your subject without compromising your shot, such as wildlife, nature, and outdoors sports. Swift and nearly silent autofocusing is achieved through Canon’s Nano USM drive system. A focus/control ring and two lens function buttons that are located on the barrel allow for greater control over settings adjustments. Also incorporated are three ultra-low dispersion elements to reduce chromatic and spherical aberrations as well as a Super Spectra coating to minimize ghosting and flare caused by lens surface reflection.
The RF24-105mm f/2.8 L IS USM Z is the first RF lens to feature iris control, giving filmmakers precise control over their creative expression. With a small f/stop of f/2.8 and 11-blade circular aperture, this lens allows you to achieve that coveted cinematic out-of-focus effect. But that’s not all – the lens also boasts up to 8 stops of image stabilisation, making handheld shots as steady as if they were taken on a tripod.
The dual Nano USM delivers fast, accurate and quiet AF that is perfect for video recording.
Being smaller and lighter while maintaining a constant maximum aperture of f/4 across its focal length makes this a very nifty lens for those who requires wide-angle to mid-telephoto coverage. Being the first full-frame L lens to be powered by the Nano USM, RF24-105mm f/4L IS USM provides responsive smooth focusing—suitable for video recording. With its image stabilisation of up to 5-stops, you can achieve sharp images shooting handheld.
RF24-105mm f/4L IS USM features an additional control ring on the barrel that could be customised to control exposure settings; shutter speed, aperture, ISO and exposure compensation, effectively providing better control especially while shooting through the Electronic View Finder. The control ring has a tactile, easily distinguished surface and features a clicking mechanism that provides tangible feedback during adjustment.
Designed not only to be light and compact, the RF24-105mm f/4-7.1 IS STM is also a very versatile lens that even have macro function and would not weigh you down as you shoot. Priced reasonably for those moving into full-frame mirrorless to expand their creative possibilities.
Poised to be the new workhorse zoom, the Canon RF 24-70mm f/2.8 L IS USM is a versatile wide-angle to portrait-length lens characterized by its bright, advanced, and intuitive design. The constant f/2.8 maximum aperture suits working in difficult lighting conditions and also enables greater control over depth of field. The optical design incorporates a series of aspherical and Ultra-Low Dispersion elements, which greatly reduce a variety of aberrations throughout the zoom range in order to produce sharp and clear imagery. An Air Sphere Coating has also been applied to suppress flare and ghosting when working in strong lighting conditions.
Designed with high-end cinema video in mind, the Canon RF 35mm f/1.4L VCM Lens is a wide-angle L-series hybrid prime featuring an ultra-fast f/1.4 maximum aperture to suit working in difficult lighting conditions. Its 11-blade iris creates soft, cinematic bokeh, and the lens features minimal focus breathing for easy and smooth focus pulls. The focus ring can be used full-time with override, and you can also utilize the iris ring manually during changing conditions on your video shoots.
Compact, lightweight, and close-focusing, the RF 35mm f/1.8 Macro IS STM from Canon is a unique wide-angle prime mixing the versatility of a general wide lens with the specialty of a 1:2 macro optic. An advanced optical design is benefitted by a Super Spectra coating, which helps to control flare and ghosting for greater contrast and color accuracy when working in bright or backlit conditions. Capable of focusing down to 6.7″ at half life-size, this lens is ideal for photographing everything from close-ups of plants to street scenes and landscapes. The bright f/1.8 maximum aperture offers increased control over depth of field and also suits working in a variety of lighting conditions. Complementing this is a five stop-effective image stabilization, which minimizes the appearance of camera shake for sharper handheld shooting. Also, an STM motor affords impressively quiet and smooth autofocus performance and full-time manual focus override. Additionally, a configurable Control Ring lets you adjust exposure settings, including ISO, aperture, and exposure compensation, from the lens itself.
Weighing only at approximately 2 890g, the RF400mm f/2.8L IS USM delivers superior image quality and performs extremely well even in low light with its up to 5.5 shutter stops image stabilisation. Designed for professionals in mind, this lens will surpass your expectations no matter the condition.
Designed for professionals who require top-notch capabilities, the RF600mm f/4L IS USM is ideal for photographing subjects from a distance like wild animals, sports and motorsports. The lens can provide up to 5.5 shutter stops of image stabilisation to ensure sharp images and weighs only approximately 3 090g.
One of the zoom trinity lens favoured by photographers across genres, RF70-200mm f/2.8L IS USM made a leap forward in its design–made possible with RF mount. Designed 27% shorter and 28% lighter comparing to EF70-200mm f/2.8L IS III USM, providing mobility and to reduce the burden for prolonged use. With it’s Image Stabilization of 5 shutter speed stops, RF70-200mm f/2.8L IS USM ensures sharp images in dimly lit situations. Stellar clarity across the focal length to shoot action packed sports or delivering beautiful bokeh suitable for portraits with its large aperture.
Unique to RF lenses, the additional control ring on the barrel of RF70-200mm f/2.8L IS USM that could be customised to control exposure settings; providing a more intuitive control especially while shooting.
The RF70-200mm f/2.8L IS USM Z stands out as a telephoto zoom with iris control for precise creative expression. Featuring a wide f/2.8 aperture and an 11-blade circular design, it produces beautifully cinematic bokeh that elevates your filmmaking. In addition, it offers up to 7.5 stops of image stabilisation when paired with compatible cameras, delivering stability that rivals tripod-mounted shots for sharp and smooth handheld filming.
The dual Nano USM delivers quick, precise, and near-silent AF, ideal for video recording.
Relatively sleek despite its super-telephoto reach, the Canon RF 800mm f/5.6 L IS USM is an impressive prime meshing top-of-the-line performance with an updated compact and lightweight design. Ideal for sports, wildlife, and journalism applications, this long lens offers a distinctly tight field of view for isolating distant subjects, along with responsive AF and image stabilization, reliable weather-sealing, and intuitive handling for dependable use in fast-paced situations.
Pairing a cherished short-telephoto focal length with an exceptionally bright maximum aperture, the Canon RF 85mm f/1.2 L USM is also characterized by its advanced optical design to produce well-corrected imagery. The fast f/1.2 design excels in difficult lighting conditions and also benefits working with shallow depth of field and selective focus techniques. The optical layout incorporates a Blue Spectrum Refractive Optics element; a specially developed element that helps to nearly eliminate chromatic aberrations and color fringing for notable clarity and color accuracy.
Offering super-telephoto reach in a portable design, the NIKKOR Z 100-400mm f/4.5-5.6 VR S, from Nikon, is a versatile zoom well-suited for sports and wildlife applications. Covering a broad telephoto range, the lens manages to remain relatively lightweight and compact, making it ideal for travel as well, and it incorporates Inner Balance technology that maintains stability when tracking moving subjects and shooting atop a gimbal head.
The ultimate ultra-wide zoom. The views through the NIKKOR Z 14-24mm f/2.8 S are simply epic. Ultra-wide perspectives that challenge our sense of scale. Clarity that transports you. A level of detail you have to see to believe. All in the shortest, lightest and most versatile 14-24mm f/2.8 constant aperture zoom available. Optimized for landscapes, cityscapes, night skies, architecture, interiors and environmental portraits—this is the lens for taking it all in.
Experience the powerful, superb performance of the NIKKOR Z 180-600mm f/5.6-6.3 VR, with excellent agility and minimal fatigue. With up to 5.5 stops of Vibration Reduction, this lens allows users to capture high resolution images from edge to edge. Pairing with a minimum focus distance of 1.3m; this super-telephoto zoom lens is not just great at capturing afar, it also provides more photo and video opportunities to capture even close-up subjects.
The lens is also compatible with both NIKKOR Z TC1.4x and TC2.0 teleconverters resulting a maximum focal length of 840mm* and 1200mm* respectively.
*Maximum aperture will decrease 1 or 2 stops respectively with the use of NIKKOR Z TC teleconverters.
Make ordinary scenes extraordinary from wide angle to telephoto, all with one versatile lens, the NIKKOR Z 24-120mm f/4 S lens. Experience exceptional versatility and flexibility with extensive weather sealing and the lightest weight in its class. With a multi-focusing system that lets you capture images fast and accurately, the lens delivers outstanding performance from the maximum aperture across the entire zoom range for both stills and videos.
Uncompromising Optical Performance. Meet the most versatile lens in the Z series stable. A powerful mid-range zoom that’s indispensable for a wide range of photo and video applications, from landscapes and street photography to full-length and environmental portraits, all with stunning clarity, high resolution and natural bokeh.
The NIKKOR Z 24-70mm f/2.8 S II takes everything you loved about its predecessor and makes it even better. Whether it’s fast-paced action or cinematic storytelling, it delivers unrivalled clarity, ultra-smooth focus transitions, and that perfectly rendered bokeh in every frame. Integrated with Silky Swift VCM (SSVCM), advanced S-Line optics, an internal zoom mechanism, and lightning-fast autofocus, it’s the ultimate lens for every creative challenge. Compact, reliable, and built for performance.
¹AF speed is approximately 5x faster than the NIKKOR Z 24-70mm f/2.8 S. Based on Nikon testing.
The NIKKOR Z 600mm f/4 TC VR S is a lens that is made to capture exceptional images with sharpness and clarity. Featuring cutting-edge technologies like the Meso Amorphous Coat which provides the highest anti-reflection performance in NIKKOR history, and the Silky Swift VCM (SSVCM) that enables fast, highly accurate and quiet autofocusing, the lens captures the decisive moments in a blink of an eye. With the lens at a remarkably light weight of approximately 3,260g, you can experience superb operability and get creative across diverse situations.
Obsession for details. Uncompromising Zoom. The highly-desirable 70-200mm telephoto zoom has come to the Z series. Sports, concerts, weddings, wildlife, portraiture and so much more—all with the incredible low light performance of an f/2.8 made only better by the optically superior Z mount. Optical advancements support passionate cinematographers and videographers. Class-leading close focus ability. Superior aberration suppression. And the most comprehensive optical VR image stabilization in the history of NIKKOR interchangeable lenses. The NIKKOR Z 70-200mm f/2.8 VR S sets an impressive new standard for fast telephoto zoom lenses optimized for the next generation of Nikon’s advanced mirrorless cameras.
A long-reaching telephoto optimized for sports, wildlife, and nature shooting, the Nikon AF-S NIKKOR 600mm f/4E FL ED VR Lens features an advanced optical design that both lessens the overall weight of the lens as well as contributes to improved image quality. Two fluorite and four extra-low dispersion elements reduce chromatic aberrations throughout the aperture range while Nano Crystal and Super Integrated Coatings help to suppress flare and ghosting for greater contrast and clarity. Complementing the image-enhancing attributes, the lens also incorporates a front fluorine-coated meniscus glass element that, when paired with the weather-resistant magnesium-alloy barrel, supports working in inclement conditions.
Presenting a wide field of view and an optimized design, the NIKKOR Z 24mm f/1.8 S from Nikon is a versatile wide-angle lens well-suited to a range of subjects, including landscape, architecture, and reportage. Featuring an advanced optical layout, this prime lens incorporates a series of aspherical and extra-low dispersion elements, which produce sharp, well-corrected imagery with a high degree of clarity. Also, both Nano Crystal and Super Integrated Coatings are used to suppress flare and ghosting for greater color fidelity and higher contrast.
Delivering superior optical performance and power zoom functionality across multiple essential focal lengths, the full-frame NIKKOR Z 28-135mm f/4 PZ Lens from Nikon is a versatile, all-in-one performer equally adept in corporate videos, documentaries, live events, weddings, and more.
With a natural wide angle of view and a bright maximum aperture, the NIKKOR Z 35mm f/1.4 Lens from Nikon is a storyteller’s walkaround lens. Lightweight and easy to carry, the lens brings low-light versatility, shallow depth of field, and edge-to-edge clarity to photo and video applications in any environment.
A favored focal length for everything from landscape to street shooting, the NIKKOR Z 35mm f/1.8 S is a prime wide-angle lens characterized by its versatility and bright f/1.8 maximum aperture. Furthering its merits, the optical design features two extra-low dispersion elements and three aspherical elements, which reduce a variety of aberrations and distortion to produce imagery with high sharpness, clarity, and accurate color rendering. Both Nano Crystal and Super Integrated Coatings are used, too, to suppress flare and ghosting for greater color fidelity and higher contrast.
Featuring super S-line NIKKOR Z performance, the NIKKOR Z 400mm f/2.8 TC VR S lens supports the imaging expression of professional photographers, from adrenaline pumping sporting events to unpredictable wilderness conditions. With enhanced AF performance, remain in complete control and shoot in stunning focus, even at high speeds thanks to the in-lens Vibration Reduction (VR) of up to 5.5 stops. Adopting a newly developed Meso Amorphous Coat on top of the ARNEO coat, the NIKKOR Z 400mm f/2.8 TC VR S delivers the highest anti-reflection performance in NIKKOR history, effectively diffracting light to powerfully suppress flaring and ghosting effects, even in harsh lighting conditions. With a built-in 1.4x teleconverter, shoot at 400mm or 560mm with ease. Weighing approx. 2950g, this lens is lightweight for its class, and thanks to the use of a magnesium alloy, it is robust yet nimble. Experience perfection through innovation with superior functionality and stability.
Described as “the smallest and lightest 400mm Nikon has ever created,” the NIKKOR Z 400mm f/4.5 VR S is a super-telephoto prime mixing unique portability with long reach, advanced optics, and apt AF and VR. It’s a well-rounded lens for the traveling sports or wildlife shooter looking for a handheld design and capable reach for photographing distant subjects.
Featuring a tried and true focal length for photographic success, the NIKKOR Z 50mm f/1.4 Lens from Nikon avails users a natural perspective that effectively captures portraits, landscapes, snapshots, and more. Its bright f/1.4 maximum aperture makes drawing attention to your subject effortless by blurring backgrounds and producing smooth, distinct bokeh. This prime also excels in low-light situations, allowing you to keep your ISO value down and your image quality up. Driven by an STM stepping motor, operational noises are suppressed and speedy autofocus performance is delivered. Its versatility and portability make this prime an excellent complement to any Z-series mirrorless camera.
A compact, well-versed prime, the NIKKOR Z 50mm f/1.8 S from Nikon offers a normal-length field of view along with a bright f/1.8 maximum aperture. The comfortable perspective pairs with the f/1.8 design to suit working in difficult lighting conditions as well as offers increased control over depth of field. The optical design includes two aspherical elements and two extra-low dispersion elements, which greatly reduce both spherical and chromatic aberrations for increased sharpness and clarity. Both Nano Crystal and Super Integrated Coatings are used, too, to suppress flare and ghosting for greater color fidelity and higher contrast.
An engineering marvel of miniaturization, the NIKKOR Z 600mm f/6.3 VR S Lens, the latest super-telephoto, full-frame, mirrorless prime from Nikon, delivers premium optical resolution in a handheld build less than half the weight of its predecessor. Powered by a size-reducing Phase Fresnel element, the lens is under a foot long and features a front filter thread of 95mm, making it ideal for sports, wildlife, and action photographers craving optimal imagery without compromising valuable kit space.
Huge focal length, compact and lightweight design. The NIKKOR Z 800mm f/6.3 VR S, from Nikon, is a super-telephoto prime distinguished by the unique combination of one of the longest focal lengths available in a surprisingly portable package. This distinct design is made possible by the inclusion of a Phase Fresnel element, which cuts the overall weight by 50% and the length by 16% compared to the former F-mount 800mm f/5.6 lens.
Popular for portraiture, the NIKKOR Z 85mm f/1.8 S from Nikon is a short-telephoto prime characterized by its flattering focal length and bright f/1.8 design. The maximum aperture strikes a balance between size, weight, and speed, offering suitable speed for working in difficult lighting yet remaining sleek enough for handheld use. In terms of optics, two extra-low dispersion elements are featured, and help to reduce color fringing and chromatic aberrations in order to achieve high clarity and color fidelity. Also, both Nano Crystal and Super Integrated Coatings are used to suppress flare and ghosting for greater color fidelity and higher contrast.
Compact, lightweight, and versatile, the NIKKOR Z DX 18-140mm f/3.5-6.3 VR, from Nikon, is an all-in-one zoom spanning a wide-angle to telephoto range. Poised to be a single lens solution for travel, walkaround, and everyday shooting, this 27-210mm-equivalent lens is ideal for applications ranging from landscapes to portraiture to distant, fast-moving subjects.
Reveal hidden worlds and thrilling details with the NIKKOR Z MC 105mm f/2.8 VR S Macro Lens from Nikon. This S-line macro lens provides a versatile 105mm focal length, a close working distance, and a true 1:1 reproduction ratio. It fills the frame with the edge-to-edge sharpness and exquisite color. Whether you’re shooting wedding details, jewelry, food, flowers, products, nature, wildlife, or portraits, this professional lens takes your vision into the extraordinary.
Combining the reach, speed, and optical quality of a super-telephoto prime with the versatility of a zoom, the Sigma 300-600mm f/4 DG OS Sports Lens is a well-rounded workhorse built for photographing sports, wildlife, and other distant action subjects. Combining a constant f/4 maximum aperture with quick AF, robust image stabilization, and a durable design, this impressive lens can easily replace a series of telephoto primes without sacrificing on weight or speed.
Combining the reach, speed, and optical quality of a super-telephoto prime with the versatility of a zoom, the Sigma 300-600mm f/4 DG OS Sports Lens is a well-rounded workhorse built for photographing sports, wildlife, and other distant action subjects. Combining a constant f/4 maximum aperture with quick AF, robust image stabilization, and a durable design, this impressive lens can easily replace a series of telephoto primes without sacrificing on weight or speed.
A compact and lightweight ultra-telephoto prime, the Sony E-mount Sigma 500mm f/5.6 DG DN OS Sports Lens leverages a robust construction and advances in optical design and optical stabilization to deliver professional-grade performance when used handheld and in the most challenging environments. The lens’ quiet and precise high-speed autofocus complements its optical performance, allowing shooters to freeze action and produce compelling images in sports, wildlife, and aviation applications.
The Sony E-mount 50mm T2.9 Anamorphic 1.6x Lens, from Sirui, is designed for filling a theater screen with rich detail, cinematic bokeh, and artistic lens flairs. One of the signature features of this lens is that it produces horizontal blue streaks when pointed at a light source, giving your footage a dreamy or science fiction aesthetic. On full-frame cameras, this lens increases the horizontal angle of view by 60%, equivalent to a wider 31mm spherical lens, and it enables the camera to see well to the left and right of your subject. An image captured in 16:9 is de-squeezed to an anamorphic 2.8:1 aspect ratio, whereas shooting in 3:2 yields a 2.4:1 final image.
Lightweight and exceptionally compact, the E 16mm f/2.8 Lens from Sony is a suitable travel companion. Providing a 24mm equivalent focal length when mounted to your APS-C-format E-mount camera, this lens will allow photographers to capture wide landscapes and work in tight spaces with ease.
Targeting sports, wildlife, and action shooters, this FE 100-400mm f/4.5-5.6 GM OSS Lens from Sony will satisfy many photographers and videographers who are looking for a bit of extra reach with their full-frame E-mount camera. As a member of the G Master line, it is designed with outstanding resolution and sharpness in mind, along with a relatively compact size, responsive autofocus, and Optical SteadyShot image stabilization for outstanding performance at all focal lengths.
Delivering both smooth bokeh and fine sharpness, the FE 100mm f/2.8 STF GM OSS from Sony is a short-telephoto prime featuring a unique and sophisticated optical design. Separating itself from other portrait-length lenses, this 100mm f/2.8 features Smooth Trans Focus (STF) technology, which uses an apodization filter to realize notably smooth bokeh with rounded out-of-focus highlights in both the foreground and background.
Comprising a range of ultra-wide fields of view, the Sony FE 12-24mm f/2.8 GM is an E-mount zoom characterized by an impressively bright and versatile design. Ideal for landscape, nature, architecture, and interior applications, the lens’s constant f/2.8 maximum aperture and advanced optical design make it a perfect choice for working in difficult shooting conditions while still offering well-corrected imagery.
Pairing an ultra wide-angle focal length with an especially bright design, the FE 14mm f/1.8 GM from Sony is a fast and dynamic lens well-suited to landscape, nature, architectural, and astrophotography applications. Its extremely wide perspective is complemented by an f/1.8 maximum aperture for excellent performance in low-light conditions and its impressively compact form factor makes it a portable and versatile option for everything from casual walkaround shooting to staged architectural shoots.
Combining G Master performance with the lightest and smallest form factor in its class, Sony rounds out its trinity of f/2.8 G Master zoom lenses with its latest wide-angle offering for video and stills shooters, the FE 16-35mm f/2.8 GM II Lens, which boasts a variety of optical, focusing, and handling upgrades.
Offering G Master performance in a compact, fast, and versatile form, the Sony FE 16-35mm f/2.8 GM is a wide-angle zoom covering ultra-wide to standard wide-angle fields of view. Ideal for a range of subjects, from landscape to lifestyle to architecture, the lens’s advanced optics and bright f/2.8 design pair with a flexible zoom design to suit working in a variety of shooting conditions.
Spanning a versatile telephoto range, the FE 200-600mm f/5.6-6.3 G OSS from Sony is a flexible zoom perfectly suited for nature, wildlife, and sports applications. Its long reach pairs with a modest maximum aperture range to render to a relatively lightweight and portable design and, as a G series lens, optical quality, focus speed, and attention to handling details are also priorities of this well-rounded super-tele zoom.
Designed for versatility, the FE 24-105mm f/4 G OSS Lens from Sony is a wide-angle to short-telephoto zoom designed to be an ideal one-lens solution for everyday shooting. The flexible focal length range pairs with a bright constant maximum aperture, impressive optics, and intuitive handling to make it a suitable option for walk-around shooting, street subjects, travel, and event photography.
A refined take on the fast standard zoom, the Sony FE 24-70mm f/2.8 GM II is not only smaller and lighter than the previous generation, it also features a variety of optical, focusing, and handling upgrades, catering to both photo and video applications, that make this the most well-rounded G Master zoom to date.
A fast, standard zoom favored for its versatility, the Sony FE 24-70mm f/2.8 GM is a wide-angle to short telephoto lens featuring advanced G Master optics, a robust physical design, and a bright f/2.8 constant maximum aperture. A go-to lens for a variety of shooting situations, the 24-70mm f/2.8 is a perfect choice for anything from landscape to sports to portraiture subjects.
Combining a favored wide-angle focal length with an especially bright design, the FE 24mm f/1.4 GM from Sony is a fast, versatile lens well-suited to landscape, nature, and street photography. Its wide-but-usable perspective is complemented by the f/1.4 maximum aperture, which excels in low-light conditions and also offers increased control over depth of field. The optical design incorporates three extra-low dispersion elements to reduce chromatic aberrations and two XA (extreme aspherical) elements, which significantly control spherical aberrations for a high degree of image sharpness and clarity. Additionally, a Nano AR coating has been applied to limit ghosting and lens flare for increased contrast and color fidelity when working in strong lighting conditions.
Mixing an ultra-wide field of view with an ultra-sleek design, the Sony FE 24mm f/2.8 G is a portable prime characterized by its smart build and sophisticated G Series optics. The wide-angle focal length and modest maximum aperture excel in a variety of situations, such as for street, architecture, landscape, and travel, and the portable build and stylish looks make for a great go-to lens for everyday shooting.
A top pick for users looking for a lightweight all-around zoom, the FE 28-70mm f/3.5-5.6 OSS Lens from Sony is a great go-to for full-frame E-mount shooters. The lens has a compact, portable design that is ideal for everyday, walkaround use and its versatile wide-angle to portrait-length range suits working with a variety of subject types.
Providing the speed and reach many pros are looking for when photographing the world’s biggest events, the Sony FE 300mm f/2.8 GM OSS is a fast telephoto prime characterized by an impressively lightweight, portable design.
A classic wide-angle prime with an updated, sleek form factor, the Sony FE 35mm f/1.4 GM is further characterized by its speed and advanced optical design. The versatile focal length suits everything from street shooting to landscape and documentary subjects, and the fast maximum aperture excels in low light and for controlling depth of field.
Fast and compact, the Sony FE 35mm f/1.8 mixes a versatile wide-angle focal length with a bright design and a sleek form factor. As a wide-angle, this lens excels in a variety of situations, from street shooting to landscapes to travel, and the f/1.8 maximum aperture suits working in available lighting and benefits controlling depth of field.
The farthest reaching Sony E-mount lens yet, the FE 400-800mm f/6.3-8 G OSS Lens from Sony is a super-telephoto powerhouse lens that’s primed to be the dominant choice for capturing wildlife, nature, and sports. With this addition to the G Series, Sony continues to blur the lines between G and GM lenses, offering its users exceptional quality at a reduced cost. This lens features internal zoom for improved functionality as well as dual linear motors for smooth, quick AF performance. Optical SteadyShot stabilization includes three distinct modes, along with a focus limiter and three focus hold buttons for advanced control. For increased lens stability and sharper imagery, a fixed, rotating tripod foot is included on the lens.
E-Mount Lens/Full-Frame Format
Aperture Range: f/2.8 to f/22
Three Fluorite Elements, One ED Element
Nano AR and Fluorine Coatings
XD Linear Motor AF System
Optical SteadyShot Image Stabilization
Power Focus, Preset Focus, Focus Limiter
Weather-Sealed Magnesium-Alloy Design
Fixed, Rotating Tripod Collar
Rounded 11-Blade Diaphragm
Combining speed, versatility, and quality, the Sony FE 50mm f/1.2 GM is a normal-length prime that flexes a bright f/1.2 design and advanced optics while remaining portable and lightweight for everyday shooting. As a G Master lens, resolution and bokeh are top priorities, and this 50mm f/1.2 goes on to also include a sophisticated focusing system to suit both stills and video needs and a reliable physical design that’s intuitive to use and durable enough for working in harsh environments.
A simple, bright, and lightweight normal-length prime, the FE 50mm f/1.8 from Sony is a versatile lens designed for full-frame E-mount mirrorless cameras. Blending a sleek stature with a versatile focal length, this 50mm prime excels in a variety of shooting situations and the f/1.8 maximum aperture helps straddle an ideal balance between brightness and a compact form factor.
A classic focal length with an especially compact profile, the Sony FE 50mm f/2.5 G is an inherently versatile prime lens capable of handling subjects ranging from portraiture to street to landscapes. This G Series lens is characterized by a notably stylish build and sophisticated optics, making it a go-to single-lens choice for everyday walk-around shooting.
Impressive reach and capable speed, the Sony FE 600mm f/4 GM OSS is a refined super-telephoto characterized by its G Master optics, durable construction, and surprisingly lightweight design for increased shooting versatility. As a super-telephoto prime, this lens is at home with sports and wildlife subjects, and fast AF performance, apt OSS, and intuitive handling further round out the professional feature-set.
Sony’s FE 70-200mm f/2.8 GM OSS II takes the classic fast zoom and elevates performance to a whole new level. This lens builds upon the best parts of the original and makes them even better while simultaneously reducing weight by 29%—making this lens the lightest in its class. Sony has also given this lens a brand-new AF system that promises up to four times the speed and has made plenty of optical optimizations that will appeal to video shooters, including improvements to focus breathing and focus shift. Whether you shoot portraits, sports, landscapes, or video, the 70-200mm f/2.8 will get the job done.
Boasting exceptional optics, intuitive handling, and outstanding speed in all aspects, the Sony FE 70-200mm f/2.8 GM OSS takes its place as a reliable, go-to telephoto zoom for professionals. A member of the G Master series, this 70-200mm delivers high sharpness alongside smooth, clean bokeh, and the bright f/2.8 constant maximum aperture and optical image stabilization also help to ensure sharp handheld shots in available lighting conditions.
Slimmed, trimmed, and newly outfitted, Sony has upgraded its most popular portrait prime with the FE 85mm f/1.4 GM II Lens, featuring faster autofocus, smoother bokeh, and video-friendly functionality. Delivering top-of-the-line G Master sharpness and bokeh quality, the lens’ pleasing image quality is well-suited for stills and videos in portrait, event, and other shallow depth of field applications.
A simple, bright, and lightweight normal-length prime, the FE 50mm f/1.8 from Sony is a versatile lens designed for full-frame E-mount mirrorless cameras. Blending a sleek stature with a versatile focal length, this 50mm prime excels in a variety of shooting situations and the f/1.8 maximum aperture helps straddle an ideal balance between brightness and a compact form factor.
Get up close and personal with the 1:1 magnification ratio of the full-frame compatible Sony FE 90mm f/2.8 Macro G OSS Lens. As a G series lens, it perfectly balances sharpness and bokeh and, as a macro lens, close and controlled focusing performance is prioritized with advanced AF and intuitive handling.
A perfect pairing for full-frame Sony E-mount cameras, the Sonnar T* FE 55mm f/1.8 ZA Lens offers excellent resolution and a bright f/1.8 aperture for photographers looking for a high-performing normal-length prime.
A compact and weather-resistant option, the Vario-Tessar T* FE 16-35mm f/4 ZA OSS Lens from Sony will satisfy nearly all the wide-angle needs of full-frame E-mount shooters. The flexible wide zoom is characterized by a constant f/4 maximum aperture, making this an ideal lens for street, landscapes, cityscapes, and other subjects requiring a broad field of view and the inherent versatility of a zoom.
Spanning a versatile and long-reaching focal length range, the Nikon F-mount SP 150-600mm f/5-6.3 Di VC USD G2 from Tamron is a 4x zoom covering telephoto to super telephoto perspectives. Complementing the long reach is an optimized optical design that features three low dispersion (LD) glass elements to reduce chromatic aberrations and color fringing throughout the zoom range. eBAND and BBAR coatings have also been applied to reduce ghosting and flare when working in strong, backlit lighting conditions.
The SP 150-600mm G2 (Generation 2) ultra-telephoto lens with upgraded optical performance enables handheld shooting with remarkable definition. This new lens builds upon the success of the current SP 150-600mm (Model A011) which Tamron first introduced in December, 2013, including better overall optical performance and faster AF speed, VC enhancements, plus Fluorine Coating, FLEX ZOOM LOCK and compatibility with optional 1.4x and 2x tele converters.
Rebuilt from the ground up to meet Tamron’s strict quality standards and design specifications, this new zoom combines smart engineering and high performance with quality craftsmanship, durability and user friendliness.
Characterized by its close-focusing capabilities and apochromatic design, the Canon EF-mount Laowa 100mm f/2.8 2X Ultra Macro APO from Venus Optics is a unique and versatile short-telephoto prime. Featuring a pair of low dispersion elements, color fringing and chromatic aberrations have been virtually eliminated throughout the focusing range in order to achieve high clarity and color accuracy. The lens has a manual focus design to suit its macro capabilities, which permit working with subjects as close as 2:1 with a minimum focusing distance of 9.7″. A 9-blade diaphragm contributes to a pleasing bokeh quality.
Get started in the world of wide-angle macro photography with the Laowa 15mm f/4 Macro Lens for full-frame Sony E-mount cameras from Venus Optics. Before now, wide-angle macro required the use of extension tubes and other workarounds, but now the Laowa 15mm Macro offers true 1:1 magnification without the hassle. The ultra-wide perspective on full-frame cameras allows you to get exceptionally close to your subjects and have them fill the frame with a minimum focus distance of just 4.7″, while still capturing the background for more informative scenes. Internal focusing further assists by not disturbing your subject, even when you reach the 0.2″ minimum working distance.
Mixing advanced optics with contemporary performance, the Batis 135mm f/2.8 from ZEISS is a mid-length telephoto prime designed for full-frame Sony E-mount mirrorless cameras. Characterized as an apochromat, the Sonnar optical design, along with the use of eight anomalous partial dispersion elements, helps to effectively eliminate chromatic aberrations and color fringing for improved clarity and rendering. A floating elements system is also used, for consistent performance throughout the focusing range, in order to achieve even sharpness and illumination. An enhanced ZEISS T* anti-reflective coating has also been applied to significantly reduce ghosting and lens flare for improved contrast and color fidelity when working in difficult lighting conditions.
Offering a unique short-normal focal length with a close-focusing design, the Batis 40mm f/2 CF from ZEISS is a Sony E-mount prime further characterized by its advanced optical layout. Based on the Distagon design, this lens uses a series of aspherical and anomalous partial dispersion elements to greatly reduce color fringing, distortion, and other aberrations to realize sharp, clear, and color-accurate imagery. A floating elements system, coupled with the Close Focusing designation, is also employed for consistent performance when working with both near and far subjects. Additionally, an enhanced ZEISS T* anti-reflective coating has been applied to reduce flare and ghosting for working in difficult lighting conditions.
