Extending the range of compatible lenses, the Canon Mount Adapter EF-EOS R is a lightweight, compact lens adapter designed for attaching any EF or EF-S-mount lens to the EOS R mirrorless digital camera. This simple adapter retains full autofocus and image stabilization capabilities and contains no optical components, thereby maintaining the original optical quality of the mounted lens. It is also dust- and water-resistant, making it suitable for use in harsh weather conditions.
The DJI RS 3 Combo includes the redesigned RS 3 gimbal stabilizer, an even lighter and sleeker gimbal than the Ronin RSC 2 at only 2.8 lb and with a payload of up to 6.6 lb. This tiny gimbal is tough enough to support and stabilize a Sony a7S III or Canon R5 with a 24-70mm zoom lens attached. With a larger full-color OLED display, a new fine-tuning knob, and greater stability, the RS 3 can become an essential part of your compact camera kit. The Combo kit includes additional essentials such as an updated Focus motor, a motor rod mount kit with gear strip, a briefcase handle, two multi-camera control cables, and a lens-fastening strap.
Enhanced operation efficiency, native vertical shooting, and an expanded accessory ecosystem make the DJI RS 4 a powerful tool for the mirrorless camera shooter. The gimbal only weighs around 2.3 lb and sports a load capacity of 6.6 lb capable of supporting your compact camera build. Teflon-coated axes reduce friction for a smoother balancing and operating experience. Other intuitive features include a fine-tuning knob, auto-locking OLED screen, and RSA communication port for use with expanded accessories.
The DJI RSC-2 is a compact and foldable 3-axis gimbal designed for DSLR and mirrorless camera setups. It supports payloads up to 6.6 lb (3 kg) including camera + accessories.
One of its signature features is the foldable design, which allows it to convert into underslung / briefcase shooting modes for low-angle or tight-space shots. Its motors are reported to be ~50% more powerful than those on its predecessor, the Ronin-SC, offering better stabilization headroom.
The RSC-2 has an integrated 1-inch OLED display, a front dial (useful for focus / control), and supports SuperSmooth mode for stabilizing movement when using long lenses (up to ~100 mm). The built-in battery is rated for up to 14 hours of runtime and supports USB-PD / QC 2.0 fast charging (~2 hours).
It includes NATO accessory rails, 1/4-20 mounting points, cold shoes, and USB-C ports for camera control, video transmission (e.g. RavenEye), and follow focus.
The gimbal is ideal for content creators, indie filmmakers, wedding shooters, and videographers who require portability without sacrificing performance.
Smart pro Fluid Head EI-7060H assembled with 2 grades counterbalance, 2 stage aluminum Tripod AT7402A，with mid-level Spreader and rubber feet. The head and legs feature a 75mm ball/bowl. The tripod extends to a height of 162cm and collapses down as low as 79cm. Max.load is 8kg. A kit bag is included.
The Elinchrom FRX 200 Standard Kit includes a 200Ws flash head that offers accurate and consistent light, making it a great choice for photographers who need reliable lighting with adjustable power settings. The flash head is paired with light modifiers such as softboxes, umbrellas, and reflectors, allowing you to control the light quality and direction for different shooting needs. With adjustable power and a fast recycling time, the FRX 200 is designed to meet the needs of both portrait and product photographers, offering smooth transitions between shots and ensuring perfect exposures.
The compact design of the kit makes it easy to transport, while still offering the professional-level performance you would expect from Elinchrom. Whether you’re shooting indoors or on location, the FRX 200 provides solid performance, versatility, and convenience.
The Kit includes: 2 FRX 400 1 EL-SKYPORT TRANSMITTER SPEED 2 PORTALITE SOFTBOX 66cm 1 LIGHT BAG 1 STAND SET (2 Stands and 1 Carrying Case) Features FRX 400 Facts Built-in EL-Skyport receiver for triggering. EL-Skyport with 8 Frequency Channels with 4 Groups. EL-Skyport Speed Sync mode for synchronization up to a 1/320 s on enabled SLR cameras. Pre-flash detector system to enable the use of FRX with speedlights. Visual Flash Confirmation option. The modelling lamp comes on to confirm the flash has been triggered. Proportional, maximum, minimum and independent adjustment of the modelling lamp. Variable f-stop steps: 1/1, 5/10, 4/10, 3/10, 2/10 or 1/10 steps are available. Programmable ready beep function. Power Auto-dump. Automatic temperature controlled ventilation. Action flashtube for sharper images. Multi-voltage auto-detection: 90-270 V (excluding modelling lamp). 5V sync socket for maximum protection of digital cameras. High impact resistant body shell. Accessory bayonet allowing the complete range of light modifiers. Rubberised handgrip with built-in fuse storage.
An enhanced version of its predecessor, the AD200Pro TTL Pocket Flash Kit from Godox is built around a unique flash source with a standard speedlight head and a bare bulb head that give you the option of two distinctly different qualities of light.
The SK400II 2-Light Studio Flash Kit was put together by Godox for photographers who need to take studio-quality lighting on the road. The kit includes two SK400II Flash Heads, each with a light stand. A 23.6 x 35.4″ softbox, two 40″ umbrellas, a standard reflector, and an XT16 Wireless Trigger with a range of 328′ are also provided. A hard, rolling kit case is included for storage and transport.
With a guide number of 190, the SK300II Studio Strobe from Godox is a 5600K daylight-balanced flash source that offers solid core and convenience features at a budget-friendly price point. The head features a 0.4-2.5 sec recycling time with flash durations as short as 1/2000 sec. Power is variable from 1/16 to full power, adjustable in 40 steps, while the 150W modeling light has a Proportional mode to allow you to preview your lighting effects and a Percentage mode that adjusts brightness from 5 to 100%. Settings are accessed via rear panel push buttons and displayed on the easy-to-read LCD screen. Triggering options include sync cord, test button, and slave triggering. The SK300II has a built-in 32-channel X1 radio system, making wireless function control possible with separate purchase of the XT16, FT16 or X1 TTL transmitter. The head also has an anti-pre-flash function that makes it easy to work with point-and-shoot and other cameras that employ pre-flash. The SK300II weighs in at 4.2 lb, encouraging the assembly of a kit with two or more heads without having to lug a heavy case around. The SK300II has a Bowens front accessory mount, allowing it to use Godox modifiers as well as accessories from the many manufacturers that use this system. The head has a tilting stand mount and runs on 100 to 120 VAC mains power.
Offering a powerful 76Ws output along with a distinct design, the Godox V1 Flash is an advanced light source with features that clearly reflect the current state of the industry. Compatible with Canon E-TTL / E-TTL II, this flexible on-camera light is distinguished by its round head, which provides soft, smooth light with gradual fall off that augments the
Offering a powerful 76Ws output along with a distinct design, the Godox V1 Flash is an advanced light source with features that clearly reflect the current state of the industry. Compatible with Sony ADI / P-TTL, this flexible on-camera light is distinguished by its round head, which provides soft, smooth light with gradual fall off that augments the flattering output. The head rotates 330 degrees, tilts -7 to 120°, and has a magnetic surface for lightning-fast attachment of Godox’s accessory light modifiers.
Offering a powerful 76Ws output along with a distinct design, the Godox V1 Flash is an advanced light source with features that clearly reflect the current state of the industry. Compatible with Nikon i-TTL, this flexible on-camera light is distinguished by its round head, which provides soft, smooth light with gradual fall off that augments the flattering output. The head rotates 330 degrees, tilts -7 to 120°, and has a magnetic surface for lightning-fast attachment of Godox’s accessory light modifiers.
Upgrade your production to cinematic 360° video with the powerful Insta360 X5 360° 8K Camera, capable of capturing HDR 8K30 360° with PureVideo enhanced low-light technology in dual or single-lens modes, all in one portable action camera. The X5 offers an action-ready design with AI-powered software for an intuitive approach to creating dynamic content in any environment, as well as “Bullet Time” capture, 180 Mb/s bit rates, time shift, loop recording, and time-lapse. The X5 also has an updated rugged design, is natively waterproof up to 49′, and has an upgraded rechargeable 2400mAh battery for an increased runtime of up to 88 minutes.
The Manfrotto MT055XPRO3 Aluminum Tripod is a three-section support that replaces the 055XPROB tripod. It has a load capacity of 44 lb and extends from 3.5″ to 67″. Its legs are secured by the Quick Power Locks. These updated flip locks increase the tripod’s rigidity by 50%, and its load capacity by 4.4 lb over its predecessor.
A redesigned center column has a “one finger” operation, and includes an Easy Link attachment for attaching accessories such as an LED light or a reflector. The center column can be positioned horizontally, allowing for low-angle and macro photography. The upper disc where a tripod head is mounted has been redesigned as well, and now has a bull’s eye bubble level that rotates 360° so you can locate it where you can see it. This allows you to level your camera on both the horizontal and vertical planes.
The MVH500AH Fluid Video Head with Flat Base from Manfrotto is designed with a wide platform, optimal for HDSLR camera bodies. Smooth and precise, it has a maximum load capacity of 17.6 lb and professional quality fluid cartridges on both its pan and tilt axes. It has a pre-set spring-loaded counterbalance of 5.3 lb, its lateral tilt range is -70°/+90° and it provides 360° panning rotation.
The side lock system on the MVH500AH allows the camera and sliding QR plate to click quickly into the head from above, instead of needing to be aligned and slid in from the back. This makes it easier and safer to mount your camera on this head. The head attaches to a tripod via a 3/8″-16 thread and includes a 500PLONG sliding balance plate with a captive 1/4″-20 tie-down screw and a 3/8″-16 adapter bushing. It also provides an Easy Link 3/8″ connector on the side of the head to attach accessories such as a video monitor.
In a sleek and ergonomic design, the Moza AirCross 2, in black, supports up to 7 lb cameras, including wide-body types like the Blackmagic Pocket 4K and those with a built-in grip. It comes with a companion iOS/Android smartphone app that provides many creative features, including an AI calculation function that auto-tunes the gimbal by selecting optimal parameters based on the camera load. The AirCross 2 is designed to hold the camera mounted closer to the tilt motor, allowing for more stability with most cameras, and the camera orientation can be switched between portrait and landscape modes when using the dedicated included bracket. The gimbal also has an angled motor arm in order to allow a clear view of the camera LCD during operation.
Combining the reach, speed, and optical quality of a super-telephoto prime with the versatility of a zoom, the Sigma 300-600mm f/4 DG OS Sports Lens is a well-rounded workhorse built for photographing sports, wildlife, and other distant action subjects. Combining a constant f/4 maximum aperture with quick AF, robust image stabilization, and a durable design, this impressive lens can easily replace a series of telephoto primes without sacrificing on weight or speed.
A compact and lightweight ultra-telephoto prime, the Sony E-mount Sigma 500mm f/5.6 DG DN OS Sports Lens leverages a robust construction and advances in optical design and optical stabilization to deliver professional-grade performance when used handheld and in the most challenging environments. The lens’ quiet and precise high-speed autofocus complements its optical performance, allowing shooters to freeze action and produce compelling images in sports, wildlife, and aviation applications.
The Sony E-mount 50mm T2.9 Anamorphic 1.6x Lens, from Sirui, is designed for filling a theater screen with rich detail, cinematic bokeh, and artistic lens flairs. One of the signature features of this lens is that it produces horizontal blue streaks when pointed at a light source, giving your footage a dreamy or science fiction aesthetic. On full-frame cameras, this lens increases the horizontal angle of view by 60%, equivalent to a wider 31mm spherical lens, and it enables the camera to see well to the left and right of your subject. An image captured in 16:9 is de-squeezed to an anamorphic 2.8:1 aspect ratio, whereas shooting in 3:2 yields a 2.4:1 final image.
Spanning a versatile and long-reaching focal length range, the Nikon F-mount SP 150-600mm f/5-6.3 Di VC USD G2 from Tamron is a 4x zoom covering telephoto to super telephoto perspectives. Complementing the long reach is an optimized optical design that features three low dispersion (LD) glass elements to reduce chromatic aberrations and color fringing throughout the zoom range. eBAND and BBAR coatings have also been applied to reduce ghosting and flare when working in strong, backlit lighting conditions.
The SP 150-600mm G2 (Generation 2) ultra-telephoto lens with upgraded optical performance enables handheld shooting with remarkable definition. This new lens builds upon the success of the current SP 150-600mm (Model A011) which Tamron first introduced in December, 2013, including better overall optical performance and faster AF speed, VC enhancements, plus Fluorine Coating, FLEX ZOOM LOCK and compatibility with optional 1.4x and 2x tele converters.
Rebuilt from the ground up to meet Tamron’s strict quality standards and design specifications, this new zoom combines smart engineering and high performance with quality craftsmanship, durability and user friendliness.
Characterized by its close-focusing capabilities and apochromatic design, the Canon EF-mount Laowa 100mm f/2.8 2X Ultra Macro APO from Venus Optics is a unique and versatile short-telephoto prime. Featuring a pair of low dispersion elements, color fringing and chromatic aberrations have been virtually eliminated throughout the focusing range in order to achieve high clarity and color accuracy. The lens has a manual focus design to suit its macro capabilities, which permit working with subjects as close as 2:1 with a minimum focusing distance of 9.7″. A 9-blade diaphragm contributes to a pleasing bokeh quality.
Get started in the world of wide-angle macro photography with the Laowa 15mm f/4 Macro Lens for full-frame Sony E-mount cameras from Venus Optics. Before now, wide-angle macro required the use of extension tubes and other workarounds, but now the Laowa 15mm Macro offers true 1:1 magnification without the hassle. The ultra-wide perspective on full-frame cameras allows you to get exceptionally close to your subjects and have them fill the frame with a minimum focus distance of just 4.7″, while still capturing the background for more informative scenes. Internal focusing further assists by not disturbing your subject, even when you reach the 0.2″ minimum working distance.
